Northern Clocks - Bracket Clocks, Antique Clocks UK

There are 41 results

Devereux Bowly, London C1750

Haley and Milner, London C.1798

<p class="MsoBodyText" style="text-align: justify; margin: 0cm 30.05pt 0pt 9pt;"><span style="text-decoration: none; text-underline: none;"><strong><span style="text-decoration: underline;"><span style="font-size: large;"><span style="font-family: Times New Roman;">A high quality ebony balloon clock by Haley and Milner, London C.1798</span></span></span></strong></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 30.05pt 0pt 9pt;"><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><br /><span style="font-family: Times New Roman;"><span style="mso-spacerun: yes;"> </span>The case of typical balloon construction has brass feet, centre fret and bezel.</span></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 30.05pt 0pt 9pt;"><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><span style="font-family: Times New Roman;">The 8-day twin fussee movement has 5 turned pillars, anchor escapement, strike-silent and chimes the hours on a bell. It has shaped plates made to fit the case, the rear of which has an engraved border and a pendulum holdfast. The 7in</span></span><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><span style="font-family: Times New Roman;"> painted dial has its original brass hands. Signed on the dial and backplate.</span></span></p>
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<p class="MsoNormal" style="text-align: justify; margin: 0cm 30.05pt 0pt 9pt;"><strong><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><span style="font-family: Times New Roman;"> </span></span></strong></p>
<p class="MsoBodyText2" style="margin: 0cm 30.05pt 0pt 9pt;"><span style="font-family: Times New Roman; font-size: large;">Haley and Milner were at 7 Wigmore St, London from 1799-1815. They made very good stylish clocks; there is a bracket clock by them in the Virginia museum U.S.A.</span></p>

W. Johnson, Strand London C1840.

<p><span style="line-height: 115%; font-family: "><strong>A very fine small striking walnut mantel clock by W. Johnson, Strand London C1840.<br /></strong></span><span style="line-height: 115%; font-family: "><br /><span style="mso-tab-count: 1;"> </span>The arched top case has canted front corners, a small carrying handle and a base set on small feet, all the veneers are of the highest quality.<br /><span style="mso-tab-count: 1;"> </span>The finely finished 8-day movement has oblong plates joined by 5 turned pillars, brocot escapement, hour striking on a bell with a repeat facility, a large bob pendulum with fine regulation and a holdfast.<br /><span style="mso-tab-count: 1;"> </span>The 5in</span><span style="line-height: 115%; font-family: "> arched silvered dial has a strike – silent lever, original hands and beautiful foliage and flower engraving. It is fully signed on the dial and backplate.<br /><br /></span><strong style="mso-bidi-font-weight: normal;"><span style="line-height: 115%; font-family: "><br /></span></strong><span style="line-height: 115%; font-family: "><span style="mso-tab-count: 1;"> </span>William Johnson was recorded working in the Strand, London from 1825 – 40.</span></p>

Dent of London

<p class="MsoNormal" style="margin: 0cm 0cm 10pt 14.25pt;"><strong style="mso-bidi-font-weight: normal;"><span style="line-height: 115%; font-size: 12pt;"><span style="font-family: Calibri;">A Most exquisite small pollard oak library timepiece by Dent of London No 1033 C1840</span></span></strong><span style="font-family: Calibri;"><span style="line-height: 115%; font-size: 12pt;">.<br /><br /><span style="mso-tab-count: 1;"> </span>The case of 4 glass format has an architectural pediment and sits on 4 turned feet. As one would expect on a clock from a top London maker the veneers and mouldings are the finest.<br /><span style="mso-tab-count: 1;"> </span>The Four pillar chain fussee movement has anchor escapement, roller suspension and a heavy brass bob pendulum with fine regulation. A 5in</span><span style="line-height: 115%; font-size: 12pt;"> x 4in</span><span style="line-height: 115%; font-size: 12pt;"> painted dial is used and it retains its original hands. Signed and numbered on the dial and backplate.</span></span></p>
<p><span style="line-height: 115%; font-family: "><br /><span style="mso-tab-count: 1;"> </span>Edward John Dent 1790 – 1853 was one of London`s finest makers. He specialised in precision clocks and chronometers.</span></p>

Molyneux, London C1815.

SOLD

SOLD

Thomas Wagstaffe, London C1770

James Mcabe, Royal Exchange, London.C.1815.

<h2 style="margin: 0cm 17.4pt 0pt 18pt;"><span style="font-family: Times New Roman; font-size: large;">Ref 512</span></h2>
<p class="MsoBodyText" style="margin: 0cm 17.4pt 0pt 18pt;"><strong><span style="font-family: Times New Roman; font-size: large;">A very attractive lyre shaped mahogany mantel clock by James Mcabe, Royal Exchange, London.C.1815, No. 8939.</span></strong></p>
<p class="MsoNormal" style="margin: 0cm 17.4pt 0pt 18pt;"><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><strong><span style="font-family: Times New Roman;"> </span></strong></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 17.4pt 0pt 18pt;"><span style="font-family: Times New Roman;"><strong><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><span style="mso-tab-count: 1;"> </span></span></strong><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;">The mahogany case of French design has carved feet, and carved foliage round the dial. Three small pineapple finials are set across the top. These lyre shaped clock cases seem to originate from one cabinetmaker in London during the first quarter of the 19<sup>th</sup> century, although few in number they were always high quality, and seem to have been used by the more eminent makers.</span></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 17.4pt 0pt 18pt;"><span style="font-size: 14pt; mso-bidi-font-size: 12.0pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;"> </span>The 7"painted dial has well shaped hands, a gilded bezel, and the movement of typical Mcabe quality with shaped plates, engraved backplate, engraved pendulum with fine adjustment. The clock is signed on the dial and the backplate “<em>James Mcabe Royal Exchange London.</em>” The movement number 8939 is stamped on the frontplate.</span></span></p>
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<p><span style="font-family: ">James Mcabe Royal Exchange from 1778 died in 1811. His sons carried on the business in the same name. Their best work is signed “James Mcabe.” The firm are well known for their high quality workmanship.</span></p>

Thomas Speakman, London C.1695.

Eardley Norton, London

<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;">A very attractive ebony and brass calendar timepiece No 2550, Eardley Norton, London C.1792</span></span></strong></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>The high quality ebony veneered case has extensive use of brass decoration including top finials, side columns and base. A 7 ½ " porcelain dial has a brass bezel, hour, minute and calendar hands and is signed Eardley Norton, London.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>The 8-day fusee movement is of exceptional quality with 5 beautifully turned pillars, dead beat escapement, heavy shaped plates and a heavy bob pendulum with calibrated adjustment. The backplate is numbered 2550 and is signed “Gravell and Tonkien, London”. This would date this clock 1792 when Gravell and Tonkien took over Eardley Norton’s business (after his death) and no doubt used up his stock of cases and dials.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>Both the movement and case are numbered and there is an ivorine plaque on the back door from the retailer Meyrick Nielson of Tetbury, Gloucestershire.</span></span></p>
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<p><span style="font-size: 14pt; font-family: "><span style="mso-tab-count: 1;">          </span>Eardley Norton was a renowned maker of high quality clocks. Gravell and Tolkien took over his business in 1792 maintaining and enhancing the firms reputation, they continued working from the same premises in St Johns St London until 1820.</span></p>

John Le Roux, London C.1790

Wm Wilson, Strand, London C.1840

John Thwaites Clerkenwell, London C1813.

<p class="MsoNormal" style="margin: 0cm 0cm 10pt 10.7pt;"><strong style="mso-bidi-font-weight: normal;"><span style="font-size: small;"><span style="font-family: Calibri;">Ref No 503<br />A good attractive ¼ striking ebony bracket / table clock No 5159 by John Thwaites Clerkenwell, London C1813.</span></span></strong></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt 10.7pt;"><span style="font-size: small;"><span style="font-family: Calibri;"><span style="mso-tab-count: 1;">           </span>The dome topped case has a brass bound single pad top and carrying handle, it has brass side frets and feet. The front opening door has a brass bezel and arch and lower corner frets.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt 10.7pt;"><span style="font-size: small;"><span style="font-family: Calibri;"><span style="mso-tab-count: 1;">           </span>The massive 3-train, 8-day movement has thick shouldered and footed plate 5 turned pillars, anchor escapement, and chimes the ¼`s on six bells and the hours on one. There is also a pull repeat facility. The backplate has an engraved border and a large facetted pendulum with above bob regulation. The 8in painted dial is fully signed and retains its original hands. The movement No 5159 is stamped on the front plate and this allows us to date the clock accurately to 1813.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt 10.7pt;"><strong style="mso-bidi-font-weight: normal;"></strong></p>
<p><span style="line-height: 115%; font-family: "><span style="mso-tab-count: 1;">                </span>John Thwaites son of Ainsworth was a member of the clockmakers company from 1782 – 1820. This firm was famous for making fine movements which they sold to other clockmakers including John Ellicott and Eardley Norton.</span></p>

John Moore & sons, London C.1840

lancet top mantel / table clock C.1810. Unsigned.

Josiah Smith, London C.1850

<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>The case has foliage decorated feet, brickwork corners, elaborate side frets, engraved bezel, applied decoration and carrying handle. </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>The 4 pillar 8-day fussee movement of typical London quality has anchor escapement, a pendulum holdfast and above bob regulation. A 3 ½ inch dial has an applied silvered chapter ring moon hands and a beautifully engraved centre.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 9pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">       </span>This clock is fully signed on the top plate “Josiah Smith York Street City Road, London C. 1850”</span></span></p>
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W. Morris, London C.1850

<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 18pt; text-align: justify;"><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;">A fine walnut mantel / table clock by W. Morris, London C.1850</span></span></strong></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;"> </span>The finely veneered walnut case has a shaped top with applied carving to the front; it has a full rear door fret, glass side windows, and canted angles to the front and sits on pad feet.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;"> </span>The twin fusee 8-day, hour striking movement is of exceptional quality with 6 finely turned vase shaped pillars, dead beat escapement, maintaining power, a pull repeat and strike / silent. The 7 ½" dial is silvered, fully signed and retains its original hands.</span></span></p>
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Webster, London C.1870

Lashmore, Southampton C.1840

<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 27pt; text-align: justify;"><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;">A very nice mahogany mantel / table clock by Lashmore, Southampton C.1840</span></span></strong></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 27pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 27pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;"> </span>The case of rich mahogany with finely carved and applied decoration. It has side windows, brass bezel and pad feet and has an excellent 5 turned pillar twin fusee movement with anchor escapement and strikes the hours on a bell.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 27pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.6pt 0pt 27pt; text-align: justify;"><em style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;">Note: This clock has been made of the finest mahogany and is of a beautiful colour.</span></span></em></p>
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<span style="font-size: 14pt; font-family: ">Thomas Lashmore is recorded working in Southampton from 1830-67</span></p>
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Armstrong, Manchester

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<p class="MsoNormal" style="margin: 0cm 0cm 10pt; mso-element: frame; mso-element-frame-hspace: 9.0pt; mso-element-wrap: around; mso-element-anchor-vertical: paragraph; mso-element-anchor-horizontal: column; mso-element-left: -11.05pt; mso-element-top: 19.55pt; mso-height-rule: exactly;"><strong style="mso-bidi-font-weight: normal;"><span style="line-height: 115%; font-size: 14pt;"><span style="font-family: Calibri;">A good mahogany and brass table / mantel clock by Armstrong, Manchester C1870.</span></span></strong></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 10pt; mso-element: frame; mso-element-frame-hspace: 9.0pt; mso-element-wrap: around; mso-element-anchor-vertical: paragraph; mso-element-anchor-horizontal: column; mso-element-left: -11.05pt; mso-element-top: 19.55pt; mso-height-rule: exactly;"><span style="line-height: 115%; font-size: 14pt;"><span style="font-family: Calibri;">The case is richly ornamented with intricate mouldings, applied carving and the<span style="mso-spacerun: yes;"> </span><br />extensive use of brass for inlays, frets, handles and feet. </span></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 10pt; mso-element: frame; mso-element-frame-hspace: 9.0pt; mso-element-wrap: around; mso-element-anchor-vertical: paragraph; mso-element-anchor-horizontal: column; mso-element-left: -11.05pt; mso-element-top: 19.55pt; mso-height-rule: exactly;"><span style="line-height: 115%; font-size: 14pt;"><span style="font-family: Calibri;"> </span></span></p>
<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 10pt; mso-element: frame; mso-element-frame-hspace: 9.0pt; mso-element-wrap: around; mso-element-anchor-vertical: paragraph; mso-element-anchor-horizontal: column; mso-element-left: -11.05pt; mso-element-top: 19.55pt; mso-height-rule: exactly;"><span style="font-family: Calibri;"><span style="line-height: 115%; font-size: 14pt;">The 8-day twin fuse movement has shaped and footed plates 4 turned knopped pillars and strikes the hours on a bell. The 8</span><span style="line-height: 115%; font-size: 14pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">???</span><span style="line-height: 115%; font-size: 14pt;"> inch dial has decoration round the winding holes, original hands and is fully signed.</span></span></p>
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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 10pt; mso-element: frame; mso-element-frame-hspace: 9.0pt; mso-element-wrap: around; mso-element-anchor-vertical: paragraph; mso-element-anchor-horizontal: column; mso-element-left: -11.05pt; mso-element-top: 19.55pt; mso-height-rule: exactly;"><span style="font-family: Calibri;"><span style="line-height: 115%; font-size: 14pt;">Thoams Armstrong and his brother worked from 1858-1925, but their father, Joeseph had started the business in 1825. They occupies large premises on Deansgate, Manchester and described themselves as "watch and clockmakers, opticians, jewellers and silversmiths".</span></span></p>
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No name

<p>A very good ebonised timepiece which is a replica of Fromanteels first pendulum clock. The ebonised oak case has an architectural top with 2 pads; it has side windows, a front door opening from the right and sits on bun feet. The fully latched 8-day movement has six square brass pillars, a verge escapement driven direct from a spring barrel (no fussee), cycloidal cheeks and an outside set up ratchet. The dial is 6 1/2 " wide x 7 1/2 " high, it has a 3/4" wide chapter ring, matted centre, cherub spandrels and good hands. A very beautiful timepiece for someone who likes the 1660`s style, but can't afford the 1/4 of a million pounds or so to own a genuine one.</p>

Dyball, Norwich

<p class="MsoNormal" style="margin: 0cm 12.8pt 0pt 18pt; text-align: justify;"><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;">A large mid Victorian mahogany ¼ chiming table / mantel clock by Dyball of Norwich C.1865</span></span></strong></p>
<p class="MsoNormal" style="margin: 0cm 12.8pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.8pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">     </span>The beautifully coloured case of scrolling form has finely carved applied decoration. The massive 3-train, 8-day movement with 5 screwed pillars has anchor escapement and a large pendulum with hold fast. A nest of 8 bells is used for the quarter striking and a large gong for the hour striking.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 12.8pt 0pt 18pt; text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1;">     </span>The silvered dial with fine engraving has a chime – silent dial in the arch with a regulation square below silent. It is signed in the dial centre Dyball Post Office St Norwich.</span></span></p>
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<p><span style="font-size: 14pt; font-family: "><span style="mso-tab-count: 1;">          </span>Edward Dyball was born in Hoxton Middlesex in 1834. He was apprenticed to John Piggin of Norwich in 1851. He became a partner from 1858-64 then worked alone from 1865 – 69.</span></p>

Francis Perigal, London C.1775

<p>A good small ebony bracket clock by Francis Perigal, London C.1775 The well proportioned ebony veneered case with ebonised mouldings has brass feet, carrying handle and inner front door beading. There are windows to the case sides and rear door. The excellent 5 pillar verge movement strikes the hours on a bell and has a fnely engraved backplate. The 6" silvered dial has a date aperture, strike-silent and is signed Frans Perigal Bond St. Francis Perigal was a fine maker who was "watchmaker to the King" he worked from 37 New Bond St from around 1770 and died in 1824.</p>

John Strahan Hull C.1805

<p>A good small mahogany table clock by John Strachan Hull C.1805 The finely figured mahogany case with good patina is extensively decorated with brass door edging, side frets, feet and a pad top with carrying handle. It has an excellent 5 turned pillar, 8-day verge escapement, fussee movement which strikes the hours on a bell. The backplate is beautifully engraved with flowers and foliage. The 6 1/2 " arched painted dial retains much of its original paintwork, it has a date ring, a strike-silent, brass hands and is signed below 12.</p>

Edmund Baillot, Paris C.1710

A very decorative mahogany timepiece with pull 1/4 repeat by Thomas Green, Liverpool C.1780

John Ireland, London C.1775

James Stewart, Glasgow C.1785

Geo. Taylor, Wolverhampton C.1860

Viner & Co, London C.1820

<p>A small gilt and black marble timepiece by Viner & Co, London C.1820 The gilded drum with very fine foliage bezel, supported on scrolls. The black marble base with gilded decoration and exquisite feet. It has a very good eight-day movement with roller suspension and a 3 1/2 " porcelain dial.</p>

Mappin & Webb's bi-centenary 1975

Thomas Pace, London C.1815

<p>A good regency bracket clock in mahogany with brass inlay by Thomas Pace, London C.1815. The figured mahogany architectural topped case with brass inlay, ebony side columns, brass carrying handles and side frets. The exceptionally good eight day movement strikes the hours on a bell and has 4 finely turned vase shaped pillars (a most unusual feature on a regency clock.) Signed on a 8" round enamelled dial " Tho Pace, London."</p>

Thomas Moss, London C.1815

<p>An attractive small mahogany lancet top timepiece with ebony and satinwood inlay by Thomas Moss, London C.1815. The lancet case has applied reeded edges and attractive inlays and brass lions head side handles, ball feet and bezel. It contains a movement of eight-day duration with 4 shaped pillars and a pendulum hold fast. The 5" dial is signed Thos Moss, London.</p>

Westwood, London C.1820.

AN ATTRACTIVE FLECKED BLUE GREY MARBLE & ORMOLU MOUNTED MYSTERY CLOCK BY GUILMET, PARIS.CIRCA 1873

Perpetual calendar clock signed Dussalt Paris C.1860

A Small tortoiseshell clock signed ''Dumoulineuf Paris'' C.1810.

A Tortoiseshell and brass clock signed Graham, London.C.1720

Evans of Handsworth factory C.1870

J.O.Simpson, Lichfield. C.1840

<p>A most unusual mahogany table clock with visible detached lever escapement C.1840 by J.O.Simpson, Lichfield. The case has a carved crest to the top flanked by spire finials, cluster columns to the side (bamboo style) a shaped base with a wavy moulding above and set on carved feet. There are brass frets in the sides. All the veneers on this case are of the highest quality which makes this a most attractive case. The five pillar chain fussee movement, with maintaining power strikes the hours on a gong, the balance wheel is set vertically in the arch and is engraved "detached lever" there is a blued steel regulation hand and a slow - fast rating. This clock has a most beautifully engraved 8" silvered dial with flower and foliage spandrels and an elaborately engraved signature in the arch. Unusual features of this dial are the seconds ring placed at I and a code of letters and symbols hidden in the arch engraving.</p>

No name

<p>An attractive small skeleton timepiece C.1850 The plates are joined together by 4 turned pillar screwed to the front plate. It has an 8-day anchor escapement movement, a silvered chapter ring and sits on 4 turned brass feet. The base is ebony with a red velvet top and it retains its glass dome.</p>

George Graham, Norwich

Boothsbank Farm, Leigh Road, Worsley, Manchester M28 1LL. England